Bäst The Blonde One Gaston Re Foton

The Blonde One Gaston Re

The Blonde One Gaston Re

The Blonde One Gaston Re

The Blonde One Gaston Re

Erotisk JWR Articles: Film/DVD - The Blonde One (Director: Marco Berger) - September 17, Pics

Spanish GGaston drama TThe in Buenos Aires. After his brother moves out, Juan Alfonso Barón rents his spare room to his blonde haired co-worker Gabriel The Blonde One Gaston Re Re. Their mutual attraction sparks a secret sexual relationship, causing Hd Pov Cum men to question their sexuality and how to proceed with their closeted lives.

Sign In Register. Basket: 0 items £0. My Account Sign In Register for an account. Personal ordering now live! Educational customers login to see your trade pricing. Directors Marco Berger. Barcode Main Language Spanish.

Subtitle English. Original Issue Studio TLA Releasing. Genre Feature, Foreign. No of Discs 1. Run Time mins. Interactive Menus. Already in Basket. Add to Basket. This typically takes weeks, depending on availability from the publisher. Social Subscribe to Blonse Newsletter. Browns Books © All rights reserved [rev: 1.

The Blonde One Gaston Re

The Blonde One Gaston Re

The Blonde One Gaston Re

The Blonde One Gaston Re

Spanish gay-themed drama set in Buenos Aires.

The Blonde One Gaston Re

Gaston Re is an Argentine actor. He lives in Paris. He is currently in movie theaters with his latest leading role in Marco Berger's movie "Le Colocaire". For this last film, he received the performance award from the Paris film festival "Cheries Cheris".Author: Gaston Re.

The Blonde One Gaston Re

The Blonde One Gaston Re

17/09/ · At the heart of it all is the fair-haired Gabriel (Gaston Re has the required good looks, sexual appeal and, importantly, a true mastery of body clothes or not). The tragic widower has a precocious, very young daughter (Malena Irusta is a real find, especially in the extended scene with “Gabo” as she effortlessly delivers Berger’s back-story), checkered past, /5.

In The Blonde One , director-writer Marco Berger has done a masterful job of painting the picture of two men drawn to each other like the proverbial moth to the flame. The solo piano original score from Pedro Irusta with strings slipping in for the credits provides just the right reinforcement of longing, bewilderment, love and quiet resolve in their four appearances. A few pop songs also add depth to the various situations via their lyrics e. Alfonso Barón serves up the lecherous part with unabashed aplomb and unashamed revelations in the sex scenes that have a lot of heat, but come nowhere anything like porn. Whether commuting to work on the metro, sitting on the couch with a crowd, or savouring still another beer on the roof, the physical chemistry between the two men is palatable and makes the deliberate pace a marvellous cinematic piece of long-lived, sustained foreplay.




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